Brickell to Beach: Fall Fashion Inspired
by Miami


Miami is a town that proudly celebrates its past and present, and often combines the two — stroll along Ocean Drive and you’ll find cutting-edge restaurants and contemporary boutiques housed in Art Deco marvels. This season, we celebrate the city’s dichotomy with new pieces inspired by the glamour of the 1930s. Our backdrops: the modern art and décor at Four Seasons Hotel Miami in the heart of downtown, and Surfside’s Four Seasons Hotel at The Surf Club, the storied venue where Sinatra and Churchill once sought the limelight and the sunlight.

Four Seasons Hotel Miami


Woman walking through a hotel lobby

The Hotel’s extensive art collection highlights Miami’s rich blend of cultures. The most iconic pieces: three bronze sculptures by Colombian artist Fernando Botero.

Four Seasons Hotel Miami

Four Seasons Hotel at The Surf Club


Woman in white polka dot dress and white fedora leans against a large Cabana

The Hotel’s Cabana Row was Winston Churchill’s favourite spot to paint seascapes and sip cocktails. Read more about the Surf Club’s legendary past here.

Four Seasons Hotel at The Surf Club

Digital Operator: Christopher Morel

Lighting Assistant: Nicolas Stipcianos

Stylist: Cannon

Market Assistant: Alexandra Lynn

Stylist Assistant: Kelley Harris

Model: Taylor Foster at Front Management

YOUR JOURNEY BEGINS HERE

From Brickell to the beach, Miami is yours to explore.

Concierge

6 Rooms, Pools and Lobbies
You Have to See to Believe

If you’ve seen one Four Seasons hotel or resort, you haven’t seen them all. Each of our more than 100 properties reflects its own sense of place, innovation and style.

Through our international collection of awe-inspiring lobbies, dynamic restaurants and bars, re-energizing fitness and spa facilities, impressive event spaces, and perfectly appointed rooms, Four Seasons delights with design.

Here, marvel at some of our creative spaces, then get a behind-the-scenes look at the design process.

Kuw 207 970x540

A pool and spa that reflect tranquillity

At Four Seasons Hotel Kuwait at Burj Alshaya, the design for the pool, spa and fitness section was driven by the theme of peacefulness mixed with a specific sense of place. The glowing lanterns create a warm reflection in the pool (recently named the best indoor swimming pool in the Middle East by Prix Villageiture), and archways and alcoves create semiprivate, intimate lounging areas for guests.

“The fitness areas emphasize light, air and volume,” says Didier Jardin, General Manager at the Hotel. “In spas, dimmer lighting and quiet spaces are really conducive to relaxation.”

The grotto oasis aspect of this design by Yabu Pushelberg evokes a calming and inviting aura. “The Hotel was designed with a refined, well-travelled and culturally informed guest in mind and has a distinct connection to place in its design elements,” says co-founder Glenn Pushelberg.

Celebrating eccentricity at the bar

It was the independent child prodigy Margot Tenenbaum, from the 2001 U.S. film The Royal Tenenbaums, who inspired the renovated bar at Four Seasons Hotel Atlanta. Bar Margot celebrates interesting people, individualism and eccentricity.

“The way you make a place ‘happening’ is with a strong sense of narrative and of place,” says Will Meyer, partner of Meyer Davis, which co-led the 2015 renovation.

Those familiar with the film will instantly feel transported into the world of Margot Tenenbaum upon entering the restaurant and bar. Throughout the velvety-rich space, tokens from the cult classic film adorn the walls, window ledges and bookshelves.

The Hotel completed a dramatic transformation of its meeting and event space this year. In collaboration with Hirsch-Bedner Associates, the total 17,436 square feet (1,620 square metres) has been revitalized to fuse the Hotel’s majestic opulence with the latest technology.

Dining under glass


Castanyoles restaurant in Four Seasons Hotel Bogotá Casa Medina

The barrier between indoors and outdoors blurs in this restaurant and tapas bar, where a lush atrium courtyard and a retractable glass ceiling can swiftly create al fresco dining.

Neighbourhood chic meets rustic nature in the design of Castanyoles, at Four Seasons Hotel Bogotá Casa Medina. The Spanish restaurant and tapas bar, designed by local Saul Sasson, integrates warm colours, Spanish tiles and modern furnishings underneath a stunning glass atrium roof.

The restaurant – named for the traditional handheld percussion instruments also known as castanets – was designed to reflect the way people dine today.

“Castanyoles is the ideal spot to share a Spanish bite or a handcrafted cocktail,” says Mark Bingle, General Manager of the Hotel. “We have an amazing space that allows for indoor dining with open-air elements, enhancing the elegant atmosphere.”

Seaside sanctuaries

At Four Seasons Resort Los Cabos at Costa Palmas, it was the nearby ocean that fuelled the design team’s creation of livable luxury. The guest rooms incorporate oversized relaxation areas that seamlessly flow onto outdoor ocean terraces.

We call our guest rooms ‘sanctuaries,’” says Borja Manchado, General Manager at the Resort. “It’s about welcoming guests and giving them the best night’s rest they’ve ever had.

TAL Studio designed the guest rooms. “Four Seasons guests value artistry, craft, authenticity, cultural context and sincere hospitality that is truly anticipatory of their needs, and these values inform our design,” says studio founder Todd-Avery Lenahan.

Modernizing history in the lobby


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The lobby at Four Seasons Hotel Gresham Palace Budapest was imagined by Richmond Intl., and features this often photographed chandelier.

Long ago, the entrance of Four Seasons Hotel Gresham Palace Budapest included a horse-and-carriage drop-off. During renovations, the design team, led by Richmond Intl., enclosed the drop-off in a labour of love to expand the lobby.

Now, guests can spend the afternoon sipping craft cocktails and savouring an exciting blend of Asian and Hungarian cuisines at MÚZSA, the Hotel’s newest lounge. A raised piano platform adds a touch of theatre in the bar area, in contrast to the more intimate lobby.

Meeting rooms that drive productivity


A conference room in the Four Seasons Hotel Seoul

Designed by LTW Designworks, the meeting spaces at Four Seasons Hotel Seoul channel the prestige of Four Seasons coupled with a sense of place.

Given the purpose of a meeting room, it’s important that the design motivates and invigorates. At Four Seasons Hotel Seoul, LTW Designworks followed through.

The meeting and event spaces are designed to encourage productivity and pleasure; the cosy sitting area and plush sofas evoke a residential feeling.

“Korean architecture is always conscious of the delicate relationship between a place and its environment, and strives for a harmonious interplay,” says Su Seam Teo, an LTW partner.

Your Journey Begins Here

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10 Buildings That Define the City of London

Why are 10 million visitors from around the world drawn each year to the City of London? The compact area around Four Seasons Hotel London at Tower Bridge offers unmatched access to the past, present and future of England.

Over two millennia, innumerable important buildings were erected that tell the evolving, three-dimensional story of London.

The City of London is London in miniature, but also on its grandest scale. Within the streets and alleyways of the Square Mile, as it’s often called, lie many of London’s most intriguing and historic buildings.

The City today encompasses much the same area and shape as the city the Romans founded after their conquest of Britain in AD 43. The River Thames – wider and shallower then – was narrow enough here to bridge, but deep enough to allow ships to come and go from the coast, making it the perfect spot for a trading post. Londinium, as the Roman city was named, rose along the river’s northern banks; it was a commercial and connected city from day one.

Over two millennia, innumerable important buildings were erected: public spaces, places of worship, grand private houses, banks, offices. Here are 10 of the best, whose stones – and glass and steel – tell the evolving, three-dimensional story of London.

Roman Amphitheatre | AD 70

Where it began


Old outline of a Roman ampitheater

Guildhall Yard was built on the site of the Roman city’s amphitheatre. Today, a subterranean display gives an evocative impression of the amphitheatre’s scale, and its outlines are traced above ground in the paving of Guildhall Yard. 

The City of London stands directly above the site of Londinium, and many Roman structures have been unearthed – some more recently than others. The site of the city’s amphitheatre was unknown until 1988, when excavations for the new Guildhall Art Gallery uncovered two sections of curved stone wall, 6 metres below Guildhall Yard. Investigation revealed that the amphitheatre was originally built in AD 70, and that it was extended in the second century to seat around 6,000 spectators, who would have watched gladiatorial contests and other public events there.

Tower of London | 1100

Power and might


Tower of London

Begun in 1066 and completed in 1100, the Tower of London served as an assertion of Norman might and protection over the city.

After the Romans retreated in the early 400s, the City seems to have been largely abandoned. Though King Alfred initiated repair of the Roman walls in 886, it wasn’t until Britain was conquered by the Normans in 1066 that the City regained its importance, signified by the construction of the central castle keep of the tower of London.

A royal residence and military stronghold, the keep is still the heart of the Tower of London. And though much of it was restored in the 1800s, the chapel of St John on the first floor remains the finest example in the country of Anglo-Norman architecture at its purest and most powerful.

St Bartholomew the Great | 1123

Divine inspiration


St Bartholomew the Great

St Bartholomew the Great is all that is left of the much larger 12th-century church.

The City today may be synonymous with banks, but in the Middle Ages it was dominated by religious institutions, such as the Augustinian priory and hospital of St Bartholomew. The hospital, known simply as Barts, was founded in 1123 by one of King Henry I’s courtiers and still exists on its original site.

Across the road, St Bartholomew the Great is all that remains of a once much larger church. Its interior – which you may recognize from the film Four Weddings and a Funeral – is wonderfully atmospheric, with its original Norman arches and internal oriel window. The five pre-Reformation bells in the tower are still rung for some Sunday services – London’s oldest man-made sounds.

The Monument | 1677

Tragedy and renewal


The Monument in London

At the summit of the Monument, which commemorates the Great Fire of London, sits a gilded sculpture of a flaming urn.

The Great Fire of London in 1666 was the largest single catastrophe in the City’s history, but out of the ruins rose many of its finest buildings. Chief among these are the churches rebuilt under the direction of Sir Christopher Wren, who designed St Paul’s Cathedral and the Monument, the 62-metre fluted Doric column that commemorates the Great Fire. Metres from where the conflagration began, it is built of creamy white Portland stone and contains an open spiral staircase with 311 steps that lead to a viewing platform.

Drapers’ Hall | 1772

Economy and social structure


Exterior of Drapers’ Hall in London

Drapers’ Hall is unusual in standing on its own private, gated road, Throgmorton Avenue, built in the 1870s and complete with a quiet garden.

London’s medieval professions were organized into guilds. Though their original trade-union purposes generally have been superseded, a surprising number of guilds have survived, and their guildhalls are among the City’s most rewarding secrets. The Drapers’ Company bought the site of its present hall from Henry VIII in 1543 but rebuilt in 1667 after the Great Fire – though that work has been hidden behind later Georgian- and Victorian-era alterations.

Leadenhall Market | 1881

Public life and commerce


Leadenhall Market in London

An attractive example of Victorian architecture, Leadenhall Market was designed by Sir Horace Jones, whose most recognized work is Tower Bridge.

Tucked behind the futuristic Lloyd’s building, Leadenhall Market is one of London’s most attractive remaining bits of Victoriana. The buildings date from 1881, but there has been a general market on this site since 1445. Leadenhall Market occupies a historic site on the summit of one of the two low hills of Londinium; beneath it lie remains of the Roman forum, including the lower courses of an arch that can be seen in the basement of Nicholson & Griffin’s barbershop on the corner of Gracechurch Street.

Ten Trinity Square | 1922

Connection to the world


Exterior of Four Seasons Hotel London at Ten Trinity Square

Completed in 1922, the Beaux Arts building that today houses Four Seasons Hotel London at Tower Bridge has been meticulously restored to preserve many design details.

The Port of London Authority was formed in 1909 to run all the docks of London, then the largest seaport in the world, and to be responsible for the River Thames from Teddington to the ocean. Its splendid headquarters – today home to the new Four Seasons Hotel London at Tower Bridge – was designed by Sir Edwin Cooper and built between 1912 and 1922.

A Grade II* landmark on the Statutory List of Buildings of Special Architectural or Historic Interest, the building’s great tower features a statue of Old Father Thames, who points downriver to the source of London’s trade. The reception of the first general assembly of the United Nations, held in 1946, was hosted here in what is now known as the UN Ballroom, and was attended by (among others) King Faisal of Saudi Arabia and U.S. first lady Eleanor Roosevelt.

Four Seasons Hotel London at Tower Bridge

The Barbican | 1969

Rubble and reinvention


The Barbican in London

The Barbican’s Brutalist concrete style divided critics even before the complex’s completion in 1969.

December 29, 1940, was one of the worst nights of the London Blitz. In 1958, the City Corporation bought 35 acres that had been destroyed that night, and commissioned Chamberlin, Powell and Bon to design a massive complex: more than 2,000 apartments in residential blocks and three 40-storey brutalist-style towers. Though many considered it overbearing, it has acquired fans, as well as a noteworthy performing arts centre – the largest of its kind in Europe – and is now one of London’s most desirable addresses.

The Lloyd’s Building | 1986

Business and innovation


The Lloyd’s Building in London

The Lloyd’s Building features an “inside-out” design, with building services like plumbing and wiring housed on the exterior.

Starting small at Edward Lloyd’s coffee house in the 1680s, London’s maritime insurance market gradually evolved into the giant Lloyd’s of London. In 1986 it moved into its fourth and largest building, designed by architect Richard Rogers using a modular system for future flexibility. This inside-out approach, with a concrete frame clad in glass and stainless steel, was revolutionary. In 2011, it became the youngest building ever to be given Grade I status, putting it on a list of protected monuments that includes St Paul’s Cathedral.

Bloomberg London | 2020

Past and future in harmony


Bloomberg London Architectural Detail

Bloomberg London’s exterior is defined by English sandstone and polished bronze fins, which shade the windows and channel fresh air inside.

Michael Bloomberg’s European headquarters, begun in 2010 and set to open by 2020, will have 4,600 desk spaces and cover 3.2 acres. Designed by Sir Norman Foster + Partners, two 10-storey blocks are separated by an internal street that follows the line of a Roman road. The massive structure is supported by thousands of piles and clad in English sandstone and innovative polished bronze fins.

Underneath lie the remains of a Roman temple, circa AD 240, to be reconstructed in the basement on its original site, putting one of London’s oldest buildings inside one of its newest – and bringing our story almost back to where it began.

YOUR JOURNEY BEGINS HERE

Start planning your historic stroll through the Square Mile.

Statue on building

From Prague and Budapest, With Love


Dan Calle has amassed a loyal Instagram following that can’t seem to get enough of the Toronto-based talent’s travel and art snapshots. When he’s not dabbling in industrial design or graphic design projects, Calle enjoys jet-setting the globe with his camera in tow.

“Travel photography is my passion. The more I travel, the more I’m influenced creatively,” he says. “It inspires me to photograph the beauty and diversity of the world.”

Recently, Calle – one of three winners in the Focus on Four Seasons Instagram contest – and his girlfriend, Mrinali, spent six days enjoying the red-carpet treatment at the historic Four Seasons Hotel Prague and Budapest’s Four Seasons Hotel Gresham Palace Budapest. Now he is back to share his romantic and history-infused vacation images.

“It was my first time in Budapest and Prague,” he says. “I’d always heard great things, so it was what I expected and more. I truly got to see the best parts of the cities in the best way possible.”

Four Seasons Hotel Prague

Four Seasons Hotel Gresham Palace Budapest

Follow the other winners of the Focus on Four Seasons Instagram contest to Hawaii and California.

YOUR JOURNEY BEGINS HERE

Start planning your picture-perfect escape to Budapest and Prague now

City by river

Around the World With Tory Burch

It’s hard not to be bitten by the travel bug when you grow up hearing stories of your parents’ journeys around the world. As a child, Tory Burch was enthralled with the adventures of her parents, Buddy and Reva Robinson, who for six weeks every summer set off by steamer ship for Morocco, Italy, France, Greece and beyond.

They instilled in Burch a desire to travel, explore and learn.

My parents raised me with the knowledge that the world is a wonderful place. The more you learn, the more you want to know. – Tory Burch

The designer hopes she has passed that same curiosity on to her three boys – twins Henry and Nicholas, and Sawyer.

While the demands of her growing global company have her travelling mostly for work, she carves out time as often as she can to go off the beaten path. This is often where she and her team find inspiration for the collection, known for its bold and modern use of colour and print. Read on to see how Turkish Iznik tilework, Paris café culture and Indian mirrors have influenced Burch.

Made in Marrakech

Burch’s love affair with Morocco stems from her childhood. The designer grew up listening to her parents recount fond memories of exploring Marrakech. The pair honeymooned in the ancient city and then returned year after year, bringing art and antiques found in the souks back to the family’s Pennsylvania farmhouse.

Moroccan tiles

Today when travelling, Burch and her design team fill their phones with images like this one – a splash of Moroccan tile they were drawn to because of its vibrant colours and dancing patterns. Photography courtesy Noa Griffel

Later, as Burch studied art history and started working in fashion, her expectations for the city grew. “It’s said that Alfred Hitchcock [was inspired to create] The Birds after staying at La Mamounia and hearing the crows every morning,” she says. “Matisse was inspired by so many of the country’s vibrant colours, which all filtered into his own work.” And, of course, the country’s mark on fashion is eternal, having been a sanctuary for Yves Saint Laurent.

Happily, Burch was not disappointed. “On my first, and every trip since, the city lived up to my imagination,” she says.

“Everywhere you go, there’s a hotel, store or street with a story about how the city, the people and the culture have inspired someone to create something unforgettable.”

Morocco’s brilliant Majorelle blue, especially when set against crisp white, has influenced colour combinations in the designer’s own collections. “And in one resort collection a few years ago,” notes Burch, “we translated a straw hat I found in a Marrakech souk into a conversation print we used on tunics, dresses and swimsuits.”

En vogue à Paris

It’s fair to say that Burch owes a bit of her success to the City of Lights. After all, it was in a Paris flea market that she discovered the green floral tunic that inspired the Tory Tunic, a staple that’s been in every collection since Burch’s first season. More than a decade later, she continues to visit the iconic city to explore new places, while stopping by her long-time favourites including the Deyrolle, a 185-year-old curiosities shop, and Café Marly, which overlooks the Louvre.

“Paris never ceases to inspire me.”

“Just walking through the streets or sitting at a café, you notice the incredible Parisian sense of style,” says Burch. “It’s in the city’s DNA.” Burch’s Fall/Winter 2016 collection is evidence of her love for the city, having taken a cue from the café scene in Éric Rohmer’s 1972 film L’amour l’après-midi, where stylish women passed by the restaurant, each flaunting a unique look.

Tory Burch Fall Winter 2016 Runway Look

The Tory Burch Fall/Winter 2016 collection took inspiration from Éric Rohmer’s 1972 French film L’amour l’après-midi, which translated into a celebration of classic seventies sportswear on a New York runway. Photography courtesy Tory Burch

“On the runway, that meant that every look was different, whether through print, length or silhouette,” she explains. “But they all had the same subtle nod to great, classic ’70s sportswear.”

All eyes on Istanbul

“Istanbul is one of those cities where you can stand in one place, whether inside or outside and take in an extraordinary, 360-degree view,” Burch says. The designer opened her first boutique in the Turkish city in 2013, having visited once before.

“It’s magical – from the sultans and pashas to the mix of old and modern architecture, it has such an incredible history and culture,” she says. The self-admitted history and art aficionado appreciates Istanbul’s past, preserved in the city’s streets and buildings, as it blends with the area’s new, vibrant art scene.

“You don’t have to know anything about architecture to appreciate [it],” she says. “If I could go back in time and learn from the Romans, Byzantine and Ottoman artisans . . .”

Blue Mosque, Istanbul

“My design team and I have spent hours in the Blue Mosque, studying patterns and colour combinations,” says Burch. Photography courtesy Noa Griffel

Through the years, as Burch and her team spent time at the Blue Mosque, Grand Bazaar and Topkapi Palace, the colours and graphics in Turkish tile work, textiles and architecture found their way into the collections. The designer is especially drawn to the “colourful florals of Iznik tiles, layered textures of Azerbaijani rugs, hammered copper accessories and tassels” found in the historic spaces.

Colour collision in India

“When I’m in India, I’m a tourist in the best sense of the word,” Burch says. “I want to soak up every second.” During her time in south Asia, the designer often fills her days exploring area temples, museums and shops, forgoing sleep in favour of immersion in the local culture.

Tory Burch in India

Inspiration abounds in India, where Burch appreciates the melding of culture and history. Throughout the years, her collections have been inspired by classic Indian patterns, embellishments and techniques she finds throughout the country. Photography courtesy Tory Burch

On one such whirlwind vacation to Rajasthan in 2009, Burch took an elephant ride to the grand Amber Fort, where she and her fellow travellers got more than they bargained for. “At the top, there were several young men who we thought were selling beautiful woven baskets,” she says. “Turns out, they were snake charmers.”

“When I’m in India, I’m a tourist in the best sense of the word. I want to soak up every second.”

Burch’s love for the country is clear in her clothing designs, though it’s hard to pinpoint what she finds most inspiring – the pace of life, the landscape of mountains and jungle, or the artisan details tucked into India’s historic architecture. “Every trip to India offers something new,” she says.

A Tory Burch Design Inspired by India Icon

Burch snapped the photo at left during a trip to India, capturing an intricately carved sculpture dressed in flowers. The icon inspired the design at right, a red floral appliquéd tulle dress. Photography courtesy Tory Burch

Faithful followers of Burch’s designs will recognise the classic Indian patterns, embellishments and techniques appearing on the company’s tunics and totes throughout the years. For example, she says, “The mirror-work details in one season reflected the ornamented rooms in the Sheesh Mahal.”

Celebrating the past in Ginza

Though she spent a whirlwind week in Japan when opening the first Tory Burch boutique in Ginza, the designer admits that her stay wasn’t nearly long enough. “We packed a lot into a short amount of time, but we barely scratched the surface,” she says.

During her 2010 excursion, the designer explored Tokyo-area markets and temples, including the Senso-ji, a Buddhist temple where smoke from incense burners is said to bring good luck. “It’s a popular and spiritual place for young couples to get married,” she says. “I remember vividly seeing one young bride in a stunning traditional kimono.”

A few seasons ago, Burch found inspiration in a blue woven samurai suit she saw during this trip to Japan, which made its way into a collection of armour-tinged knits and patterns.

Japanese Samurai Suit

“It reminded me of the suits of armour my father and grandparents collected on their travels,” explains Burch, who captured the intricate detail in this samurai suit during a trip to Tokyo. Photography courtesy Tory Burch

On her next visit, Burch hopes to day-trip around Japan’s countryside, learning more about local culture and enjoying the cuisine.

Created in partnership with Tory Burch

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floral art installation at Four Seasons Hotel George V Paris